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I kept moving and gradually, within all the stuff I was nicking, I found something of my own. Then I found that if I moved around, I didn’t feel so nervous. I’d hang on to the microphone and my knuckles would still be clenched afterwards. When I first started performing, I was paralysed with terror. As a teenager I saw all the glam stuff on Top of the Pops and then took from people like James Brown, Prince and Elvis. Bowie was a big influence, but when I was 14 I was infatuated by Dave Vanian from the Damned, his whole stage persona. When I was a kid I danced around a lot and mimicked people on Top of the Pops. Which performers helped inspire your stage craft? Phrippy450įrom an early age, Mick Jagger. I just enjoy what I’m doing as much as I can. Good or bad, they have consequences, but I’m leading a pretty blessed life here. I don’t look back on my life like that any more, or use excuses for choices I made. Is there anything you regret? SisterOfNight
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Like everyone you have had ups and downs. It’s the same thing: how do I make this my own? Martin and I have had that kind of relationship for years where there’s a synergy between us, so we’re able to get out of the way and just work on what is best for the song. That’s what we do when we’re in the studio together. Over the years – not right from the beginning – that has become a thing where I hear the song, I hear Martin’s words, his melodies and then I’ll work with the song before I go back the next day with a suggested key change or tempo or arrangement or whatever. I’ve been singing Martin ’s songs for 40 years, so I’ve already been doing my homework. Watch a video of a track from Imposter, Cat Power’s Metal Heart. Punk taught us that if we had an idea, there were ways to get it done. Rowland S Howard was a unique guitar player in the Birthday Party but his songwriting, melody and lyrical content have been overlooked and I wanted to pay homage to the post-punk, DIY thing which was so important to us when we started. We’ve done Cat Power’s Metal Heart, and PJ Harvey’s usually intimate The Desperate Kingdom Of Love with a 10-piece band. Mark Lanegan’s Strange Religion came up immediately. They sounded like their albums! Bowie was on the original longlist for Imposter, but I wanted to mix Elvis, Neil Young and so on with more contemporary artists.
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I would not have known how to sing these songs when I was 18.ĭid you avoid David Bowie or Roxy Music songs as you have covered them previously? RobRohmĪs a teenager I didn’t realise that Bowie’s Pin-Ups and Bryan Ferry’s These Foolish Things were covers albums. They are songs that reflect on lives lived. I realised that the choices were songs that put me where I am, suggested where I have been and where I might be. Before we knew it, we were making a Soulsavers record with me as frontman that paid homage to those songs, but was almost a new piece of work. I was really burned out after the last Depeche Mode tour, then Rich and I started talking about songs and artists who had influenced us. Did you accomplish everything you set out to on Impostor? MrBeelzebub